Forum Activity for @simon-unsigned

simon unsigned
@simon-unsigned
02/16/22 05:03:23PM
112 posts

Anyone want to make a track in 35 days?


Collaborative Space

Week 1 - planning:
Part 1 (Days 1 to 3): Focus on what you want the track to be, e.g.:
- Do you have a specific genre (or blend of 2 or more different genres) that you want to create?
- What’s purpose of the track; e.g. something to dance to, singalong to or exercise to?
- What sort of mood do you want the track to create or have?
- Who is the target audience?
- Where do you see people listening to the track?
- Think of 3 words you’d like someone to use to describe it

Use the above points as idea starters and make as many notes/thoughts as you can about what you would like your track to be.

Find at least 3, but preferably 5 or 6, reference tracks that are similar to the type of track you want to make.

Pick one of your reference tracks to use as an arrangement template – you don’t have to create an exact match if don’t want to and you can use sections from the other reference tracks if you want. The idea is that you have a structure to start working with.

Part 2 (Days 4 to 7): Layout your parts
Ideally, you should import your arrangement reference track into your DAW and breakdown the track there. If you don’t want to make a straight copy of the arrangement, then create something from scratch based on different elements from your reference tracks.

Lay it out into the different sections e.g. intro/build up/first drop/4 bar break/main drop/breakdown/etc.

Describe each section with a label that makes sense for you.

Analyse the track(s) and create a list of each track element – do this on paper or create dummy tracks in your DAW. E.g. Kick drum/snare/clap (or just drums/percussion) / bassline / pluck arp / piano / pad / strings / etc.

Look up the deconstructed section of the Attack Magazine website for examples where they have done this.

Also list out elements such as fills and transitions – take as much or as little detail from the reference track that suits you.

For each track element write down ideas for what you might want to use in your track: this can be new ideas, elements from other tracks you’ve made, Loopcloud samples or straight copies of elements from one or more of your reference tracks.

At the end of week 1, you should have;
1. A clear idea of what kind of track you’re going to make
2. An arrangement map to work with
3. A list of all the track elements that you’re going to create

It might seem like a long time, taking a whole week before you actually make any music, but that’s the whole point – do as much thinking and planning for your track as you can before you get started – it will make the next stages so much easier and quicker.
simon unsigned
@simon-unsigned
02/16/22 04:58:22PM
112 posts

Anyone want to make a track in 35 days?


Collaborative Space

Hi Rob - that's great! I have to admit I've never heard of Arab Trap until today :-) Can't wait to hear it

So here's the plan - the 35 days are split into 5 chunks each a week long, all with a main focus and clear goal to have completed by the end of that week.

There is one golden rule; there are no rules, only guidelines. Here's week 1...
simon unsigned
@simon-unsigned
02/09/22 10:43:09AM
112 posts

Anyone want to make a track in 35 days?


Collaborative Space

Hi all

I'm going to run a little experiment for myself and thought there might be some other Producertech members who would like to join in.

The idea is pretty simple; to create a track from scratch and finish it within 35 days.

I'm one of those people that have collected tons of unfinished tracks on my hard drive, that for several different reasons never get finished. This year my resolution was to change all that and start finishing tracks and finally releasing them.

One of the things I love about the Producertech remix comps is that the deadline forces me to finish a track, say it's 'done' and submit it. This is a discipline that I really struggle to force on myself when I'm working on my own stuff, usually through a mix of perfectionism, boredom and doubt on what sort of tracks/sound I want to make - projects will get left half-finished and I'll move onto something new or different.

I've come up with a framework and timeframe to work with, there's nothing really original in it and it's all ideas I've picked up from a variety of sources and just tailored it into something that's both challenging and achievable with the limited studio time I tend to have. Funnily enough, if you read Future Music you'll see they've also put something very similar in their latest issue, but they're going for 3 tracks in 30 days so my idea is a bit more modest.

The key objective of the framework is to take the focus away from the quality of the finished track and focus on the full start to finish process instead. There's also an element to help with the idea generation around the content of the track as well - the most important part is to get practiced at finishing.

So if there's any other members who would like to give this a try, I thought it would be great to work through the process on this forum and also generate some shared accountability to hit the deadlines and make it happen!

So who's up for the challenge?!?!? :-)
simon unsigned
@simon-unsigned
01/24/22 03:24:19PM
112 posts

Your Workflow in 2022


General Producer Chat

I learnt that I need to start giving myself some self-imposed deadlines and targets to work towards otherwise I just end up going around in circles and reworking tracks into something different but never finishing them. Sometimes it's fun just to boot up the DAW and see what happens but I also need to be a bit more disciplined so I can reach a point with each track to say it's done.
simon unsigned
@simon-unsigned
01/23/22 09:06:45PM
112 posts

EL TRAIN & NATIVE INSTRUMENTS REMIX COMP


Announcements

I started by trying to make something quite different from the original style, but just couldn't get anything to fit the quality and vibe of the vocal so decided to keep it quite chilled but still hopefully gave it a different spin on things by upping the tempo slightly.

https://community.producertech.com/simon-unsigned/uploaded_audio/185/lessons-in-love-big-sigh-mix
simon unsigned
@simon-unsigned
11/11/21 05:38:12PM
112 posts

Music Biz Analytics?


General Producer Chat

Not sure if it's what you're after, but have you looked at beatstats.com?
simon unsigned
@simon-unsigned
10/30/21 02:32:27PM
112 posts

Any beatport users here - got a genre question for you...


Let us hear you!

I'm going to be releasing this track on Beatport and I think I've heard it through so many times now I've lost my perspective on the track and I really can't decide what genre I should release it under.

I won't share my thoughts now in case I sway any opinions but I'd be really grateful if anyone could offer any suggestions on what genre they think this is - thanks!

https://community.producertech.com/simon-unsigned/uploaded_audio/157/modra-original-mix

updated by @simon-unsigned: 12/03/21 12:28:06PM
simon unsigned
@simon-unsigned
10/26/21 03:06:00PM
112 posts

Why do you make music?


General Producer Chat

Totally agree, and for me these days it's not just about the sound - even playing CDs, I love the ritual of flicking through the shelf, getting the CD case and looking through the booklet. I can't believe it seems so old fashioned when I remember when these little shiny discs of digital 1s and 0s were going to be the future... but then they only lasted a little bit longer than minidiscs :-)
simon unsigned
@simon-unsigned
10/19/21 01:07:30PM
112 posts

Favourite Headphones


General Producer Chat

I got a pair of B&O Beoplay H7 after listening to a few different pairs - they were comfortable and had plenty of bass without being over the top.
simon unsigned
@simon-unsigned
10/14/21 08:42:56AM
112 posts

Why do you make music?


General Producer Chat

[quote="Robbie O Beirne"]
started dj'n at 13/14 set of technics gemini mixer (still have them)
[/quote]

Me too, although I've split them up and don't actually use them for mixing any more. Have one in the living room hooked up to the AV amp to play my vinyl just for listening to and the amp creates a pseudo surround mix which makes some tracks sound great. The other one is in the studio just for sampling from.

I must reunite them one day for a mixing party :-)
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