I think we'll do some tutorials or a livestream this week working with the stems. From talking to Spor, I believe the tempo of the stems may not be consistent, so a real challenge indeed!! This could need manual warping/timestretching!
REMIX COMP TIME IS HERE AGAIN 
Producertech Members are summoned by the intergalactic beings known as HENGE, to remix their brand new track Get A Wriggle On: https://open.spotify.com/track/0LBQTWeDL6ihaQ6ZjM076J?si=e2ebe076b3b24ece
First Place Prizes
• Beyerdynamic 1770 Pro Headphones
• iZotope Music Production Plugin Suite
• 1 Year of Loopcloud Pro Subscription
• 1 Year of Producertech Membership
• Major Kudos!
Runners Up (2nd and 3rd place) Prizes
• 1 Plugin from the iZotope Music Production Plugin Suite (of your choosing)
• 1 Year of Producertech Membership
• 1000 Loopcloud Points
• Major Kudos!
DOWNLOAD STEMS HERE: https://tinyurl.com/2p9e5as8
Once your remix is done, upload it to your profile on this site and then paste a link to it on this thread...
The shortlisted tracks will have live feedback from Producertech's Rob Jones and Henge band members in a livestream in May, in which the 3 winners will be chosen!
There is also the possibility of remixes being released by Henge in the future!
DEADLINE FOR ENTRIES: 7th MAY 2023
BEST OF LUCK!! 
I feel similarly about JAM, it was a great controller. Funny how certain bits of kit only exist for a bit and then disappear. I also feel that way about the X-Station. So many things were great about that synth/controller/interface and it still is a perfect central hub for performing!
[quote="Abhi"]
Thanks, that helps, so in ozone i just use the singer songwriter styled preset. Do you suggest, i reduce the volume there? If I do reduce the volume, wont it affect the volume in the format. For example, when you start ozone, it asks which format do you want, options are - streaming, CD, etc. I choose streaming and then go for the AI automation in it. If I reduce the volume from that level, wont it be "off" based on the format?
[/quote]
You don't touch the output level on the master track, or master output of Ozone. They will be mastering to a certain level as you say. You just need to consider how loud the signals are running into Ozone, and then how much they are being processed by it, e.g. how much they are being compressed and so on, which are the things that lead to sound degradation and distortion etc.
1. Sorry yes, the master channel in Logic is just a volume fader, so the 'master' channel to put effects on is the Stereo Output one
2. in that case, there's probably not enough headroom (tracks are too loud - so turn them down), or this could be down to the settings in Ozone being too heavy - squashing things etc. too much
3. yes 
Exciting times!
Next Remix Comp launching v soon! Join Rob on Friday for details.....
Click the LIVESTREAMS tab to view - 17.00 UK time on Friday 24th March 2023
Ozone needs to go on the master channel, which is where you actually have it in that vid (Ozone 9 not 10). There is no reason to be routing your 4 tracks to a bus. Just send them to the master channel where they can then be processed with master effects (mastering). I'm guessing the reason for running into the red/distorting etc. is that you're bussing your tracks (sending them all to an auxiliary channel) that is being processed with Ozone (10), then that signal is going to the master channel and being processed with another Ozone. In other words, you've got 2 lots of Ozone processing!
That's more for beginners though, so is a bit too easy for the people on this thread. Watch this space for an advanced one we're putting together later in the year though...
Really nice range of beats there! Great vibes throughout. Looking forward to giving it a proper listen this afternoon 
Us too! And some in depth knowledge about intelligent processing of bass!
